Your first decision has to do with the quality of the product you are making. Stabrite, while a great product, is considered a ‘soft’ solder. I believe it is mostly made up of tin. If you use a soft solder on fine metals [gold and silver], the material gets in to surface of the metal. If that metal is ever heated up to ‘hard’ soldering temperatures, the ‘soft’ solder will leach into the fine metal surfafce causing large corroded areas. So, the decision is about making a costume jewelry quality or a fine jewelry quality product.
If you are going to do ‘hard’ soldering you will need a torch. Even one of the small butane fueled torches will be hot enough to do small scale soldering. There are a number of solder grades which are dependent on the temperatures that they melt at, generally between 1200 F and 1450 F. You can use a variety of fluxes, most of them are variations on borax based fluxes. I would recommend The Complete Metalsmith by Tim McCreight, Rings and Things Cat #62-010 if you are going into hard soldering. This is a great reference for jewelry making and metalsmithing. There is is a great section on soldering, soldering processes, fluxes, methods and pickle cleaning. Hard Soldering will be your most effective and durable method for working with fine metals, sterling silver and coin silver, as well as various copper, brass and bronze alloys. This is not particularily time intensive and should be efficient for you but it is skill intensive. Quality hard soldering takes a bit to learn to do well.
With regard to bezel making, again the quality question arises. In general, I would think that making a good bezel would require hard soldering as well.
A solution may be to get started with the Art Clay materials. If you were to build a pendant base, sized to your coin [allowing for the 8 to 10% shrinkage] and fit bezel wire into it, you would be all set. To do this you would need: some Art Clay [or Art Clay 650], fine silver bezel wire, and Art Clay Oil Paste. You would fit your bezel wire to the coin, cut it and then use the Oil Paste to ‘fix’ the bezel. Then you fire the bezel so you can reshape it and fit it into your unfired ACS pendant base. Then fire it all out and finish it so you can mount your coin. These instructions basically follow Project 4 in Art Clay Silver, Book 2 R&T cat # 62-329
Just a note: I don’t think that the Oil Paste, by itself, would be strong enough to hold separate parts together like you have indicated you would like. You couyld test it out. This is one of those grey zones where these new materials have not been tried yet. I call it the Experimentiverse.
Let me know how it goes!