Archive for the ‘Tutorials’ Category

How to Solder Glass Pendants

Thursday, April 18th, 2013

Our original tutorial on “How to solder jewelry with Simply Swank Tools” has been very popular.  Unfortunately, we no longer are able to supply several of the supplies mentioned in the original post.  I have attempted, here, to provide information on currently available products, and to answer some questions.

Pink is for Girls necklace

Pink is for Girls necklace

About Soldering

Solder is a confusing topic. There are two completely different soldering methods used in jewelry making, yet people rarely explain which type they’re talking about – much the way people say they spent the weekend simply “at the lake.” (If they are your friends, you do know which lake … and hopefully this post will help you make friends with solder!)

Solder is a metal alloy that is melted to connect or coat metal pieces.  Soldering is the act of melting and applying solder.

The two soldering methods are:

  1. Soldering with a torch. Often called hard soldering, brazing or silver soldering, although copper, brass, gold and other metals can be torch soldered.  There are different grades of hard solder (which melt at different temperatures, and just to confuse things further, are called easy/soft, medium and hard).   There are also different solder formulas to match the color of various metals.  This post talks about copper wire solder, which is meant for torch soldering.
  2. Soldering with a soldering iron. This is often referred to as soft soldering, and is used with base metals (like pewter) and plated metals.  This is actually ‘tinning”, which means adding a layer of solder to a metal base.  The solder is made mostly of tin and has a (relatively) low melting temperature.  Soft solder is pewter or silver colored.  Never use a soldering iron with precious metal jewelry: it will ruin the jewelry.

Therefore, if jewelry is made of silver or gold, it has to be torch soldered. Successful soldering requires heating the metal pieces, not just melting the solder, so if the piece is very large or thick, it’s probably torch soldered as well.

 

Poppy Field Necklace

Mollie’s Poppy Field soldered pendant necklace uses two #41-254-1 fold over crimp ends instead of jump rings

 

First off, not all soldering irons are created equal. There are many varieties on the market and most were not designed for jewelry making. The two most important things to look for are tip style and wattage. We recommend a minimum of 60-watt soldering iron with a chisel-tip.  The pointy tip irons are designed for tiny electronics like circuit boards and are of little use for jewelry, other than sealing jump rings.  Lower than 60 watts might not heat up enough.  The 60w Hakko soldering iron meets both requirements! The 100 watt Choice Iron and Rheostat combination provides greater control over temperature.

 

pointy versus chisel tip soldering iron

Soldering iron tip comparison

 

The iron on the left has a pointy tip (not recommended).  The iron on the right has the recommended chisel tip, but needs to be cleaned!  Soldering is difficult when the tip is black and crusty.  Try using the wet sponge to clean the heated iron.  If you can’t clean it any other way, let the iron cool and then gently sand off the gunk.

Next, the solder itself.  It is important to use lead-free solid-core solder.  Avoid solders that have rosin or acid cores. Rings & Things sells Choice, SILVERGLEEM, and Staybrite silver solder.  All 3 work great with soldering irons; Staybrite is more expensive because of its higher silver content and included flux.

Third, flux.  All solder requires flux in order to melt and flow.  LA-CO Brite flux is a 6oz package, and is designed to be dripped or brushed onto your project.

Here is a condensed version of the process:

Preparing to Solder a Glass Pendant

Prepare your work area.  Remove extraneous (burnable or meltable) items from the immediate area.  I like to use a cookie sheet with a Non-Stick Craft Sheet on top.  The craft sheet allows for easy clean-up of the drips and spills of solder that will inevitably occur.

Taping the edges

Taping the edges

 

Copper tape creates the metal base needed for the solder to flow onto.

Sandwich images between 2 pieces of glass and wrap edges with copper foil tape, peeling off the tape as you go.  If you plan to add a bail or jump ring, overlap the ends of the foil tape where you are adding the hardware.   Fold the tape over from the edges to the front and back of the glass, being careful of the corners (think of it like wrapping a gift).  Burnish smooth (a sharpie pen works well for burnishing).  Clean with alcohol to remove any oils from your fingers – a clean surface is the best soldering surface!

Shaping the solder coil into a snake makes it easier to feed onto your soldering iron.

Solder and Stand

Solder “snaked” for ease of application, Stand ready for use.

Prepare the Soldering Iron stand by adding a few tablespoons of water to the sponge in the reservoir.

retinning the tip

Retinning the tip

If this is your first time using the iron, you will want to “tin” the tip the first time you heat it up and always maintain that layer of solder across the tip.  By tinning the tip, you prevent the iron coating from oxidizing, which is a real problem when you have hot iron tips. Oxidation can corrode your tips forcing you to replace them more often, and the hotter your iron the faster they will oxidize. Tip tinning creates a layer of solder between the air and the iron, keeping oxygen at bay.

Plug in the soldering iron and allow it to heat up for a couple minutes.  Touch the tip to the damp sponge.  The iron is hot enough if the sponge steams a bit when you do this.  Holding the solder in one hand and the iron in the other, briefly touch the solder to both sides of the tip.  You may have to “rub” the solder onto the iron to start it flowing.

Now that your tip is properly tinned, you can start soldering.  Try to solder immediately after tinning the tip, the sooner the better.  Tinning improves conductivity and makes soldering easier, as well as quicker, which is a good thing.  Periodically while you are working , (when the solder doesn’t seem to be flowing well), clean off any globs of solder on the sponge and re-tin the tip.  Keeping the tip clean is important but constantly wiping it on a wet sponge will lower the iron temperature, and can cause early tip failure.  Properly cleaned tips are bright and shiny.

Keep the iron in the stand whenever you are not actually soldering with it.  Unplug the iron whenever you are working on another portion of the project for more than a few minutes.  This is not only a good safety measure, but it will also extend the life of your soldering iron.  When you are not using your soldering iron, you should keep a layer of solder on the tip, so before putting your iron in storage, apply a fresh layer of solder to the tip to prevent it from corroding.  If you will not be using your iron for an extended period of time, you may want to store it (after it has fully cooled) in a zipper type bag to protect it further from corrosion and humidity.

 

adding solder to the tape

Adding solder to the tape

 Soldering a Glass Pendant

Apply flux to the copper tape. Touch your hot soldering iron to the solder to pick up a blob, and run the iron over the copper tape.  Repeat.  Repeat.  (Some people melt the solder onto the tip of the iron and transfer it to the piece.  I find I have more control by applying the solder directly from the roll to the tape.)  Often you can pull the solder from the edges of the pieces to the front and back taped portions.   Completely cover the copper tape with solder.  If it looks lumpy, run the iron across the bumps to remelt the solder and smooth it out.  Be sure to clean your soldering iron’s tip frequently.  If the solder isn’t flowing, either the tip is dirty, your piece is dirty, you need more flux or you aren’t heating the piece sufficiently.  Clips, clothespins or a third hand are all helpful tools for holding your piece while protecting your fingers.

This piece is being held in place with binder clips, allowing me to hold the spool of solder in one hand, and the iron in the other.

 

Using pliers to hold the glass  - don't burn your fingers.

Holding the piece steady with pliers.

Here I am holding a piece steady with bent chain nose pliers.  Since flux can damage tools, and you may drip solder onto them, dedicate an inexpensive or already damaged pair for use in soldering.

 

adding the jump ring

Using hemostat to hold the jump ring in place while melting the solder blob with the iron.

Add a blob of solder to the point where you’d like to attach your jump ring.  Apply flux to your jump ring.  Use pliers or a hemostat to hold the jump ring on the blob, and reheat the blob with the iron to secure it in place (watch out:  the blob will melt quickly, and the jump ring will sink into it.  Do not maintain the heat on the blob or the jump ring, or it will all melt together into a mess).  Clean off any extra flux with window cleaner or rubbing alcohol, file rough edges, buff with a polishing cloth, and you’re done!

Microscope Slide Pendants

Microscope Slide Pendants

Making soldered pendants is totally addictive. Microscope slide glass is an affordable way to indulge your pendant-making habit.

Piddix collage sheets are available in several sizes and shapes.  The 7/8″ squares work nicely with the 1″ square memory glass.

Soldering Kit

R&T Exclusive Glass Soldering Kit

The Rings & Things Exclusive Glass Soldering Kit provides all the basics for you to start out with a new skill.  Just provide your own scissors, water, and work surface, and you are ready to go.

So, DIY and make some unique and meaningful collage pendants of your own!

~  Rita

Hint:  If you love the soldered piece, but don’t like the bright and shiny finish, Novocan Patina will darken the solder covered  parts.

Square Peg – DIY Greek Leather Bracelet

Monday, April 1st, 2013

I love this simple, sleek Greek leather bracelet by designer Mollie Valente. And I’m not the only one who appreciates this combination of simplicity and Greek leather — it is the most popular project on our site for the first 3 months of this year!

Greek leather bracelet tutorial

Greek leather bracelet – DIY

10mm SWAROVSKI ELEMENTS crystal heart - Crystal Bronze Shade

crystal heart

Swarovski’s Crystal Bronze Shade (see all 79 shapes!) picks up and reflects the hues nearby, and even changes color depending on the intensity and type of light coming into it — it can look bronze, olive, or even a shimmering gray-blue.

This bracelet features four 7.5″ strands of supple olive-green Greek leather:

Olive green Greek leather

Olive green Greek leather

antiqued silver center-crimp tube with hook

with hook

antiqued silver center-crimp tube with loop

center-crimp tube with loop

Hold the 4 strands of Greek leather together with classic center-crimp tubes. To use center-crimp tubes, select a size slightly larger than your cord — for this bracelet, the 4.5mm inner diameter perfectly holds 4 pieces of round 2mm cord. Add a dab of flexible glue to the ends, and firmly crimp the center section of the tube with round-nose or narrow flat-nose pliers.

Use a hook on one end, and an eye (or loop) on the other end of the bracelet.

Hammered square drum bead

Hammered square drum bead

The square drum beads have a 5mm hole – great for heavy cord and multistrand designs.  They are available in 4 plating colors, and a slightly smaller triangular shape too. A large 8mm round jump ring fits nicely around the bead, so you can hang charms, small pendants or beaded dangles.

Square Peg Greek Leather Bracelet Tutorial

Click image for full tutorial and parts list

Browse our Design Gallery for 100′s more jewelry design ideas and techniques (it’s always free — no login required!).

Questions about this or any other design in our Gallery or catalog?
Comment below, or ask us on Facebook!   ~Polly

Copper Soldering Tutorial – Part 2

Thursday, March 7th, 2013

Today’s DIY: How to solder copper links with beads

If you like bead-embellished wire links, but wire wrapping is not your forte, then this is an excellent project for you!

See previous blog post for basic soldering instructions, including links to torches, soldering surfaces, basic tools and setup.

  1. When cutting or soldering, wear eye protection to protect your eyes from flying bits of wire or solder.
  2. Make a few coils: as many as you can comfortably fit on your ring-bending pliers, a suitable size of Wubbers bail-making pliers, or the fun new shapes of Wubbers mandrel pliers. For round links, I prefer ring-bending pliers for 20-22mm loops (3/4″ – 7/8″), and the X-Large bail-making pliers for 12mm and 15mm links.  (I’m really looking forward to making oval links with the new oval mandrel pliers.)

    Making Loops with Ring Bending Pliers

    Coiling a few loops with Ring Bending Pliers

  3. Use flush cutters or a jewelers saw to carefully cut the copper wire — either all the same length, or various sizes. Cut carefully so you don’t have to do a bunch of filing or re-cutting. (For clean flush cuts, see tips at end of this blog.)

    Carefully cut loops of wire with flush ends

    Use flush cutters to carefully cut loops of wire with nice flat ends, so they align cleanly.

  4. Verify that your ends align precisely. Re-bend and re-cut if necessary. Solder does not fill gaps … click the image below to see what it will look like if you don’t line them up nicely:

    badly aligned soldered links

    The link on the left, is very badly aligned. It won’t solder at all. The link currently being soldered worked ok, but for a really professional join, you should not be able to see the opening that clearly. The left-most black link did not fully solder, because I didn’t notice I had too much of a gap. Sometimes this happens when I talk and demo!

  5. To embellish a link with a bead, rip off a small piece of paper towel and dip it in water. Wind the wet paper towel around the bead. 3-4 full wraps is good. Make sure the bead is completely hidden inside this wet paper towel, then push the bead to the far side of your link, as far away from the solder point as possible.

    Wrap bead 3-4 times with a wet paper towel.

    Wrap bead 3-4x with a wet paper towel.

  6. Begin heating the wire on both sides of the spot to be joined. Have the solder ready in your other hand, and when the wire begins to glow on both sides of the join, move the flame to the join spot, touch the solder to the join, and it should instantly flow. (Practice makes perfect.)
    You can line up a few links, and solder them one after another, then use steel tweezers to pick them up so you can quench the heat in a cup of cool water.

    Torch Soldering Copper Links

    Link 1. (Click image to zoom.) When soldering each link, be careful to keep the paper and any previously-soldered links at the far side of the current link, away from the torch flame. If you need to adjust anything, use your titanium soldering pick or steel tweezers … NOT your fingers!

    222-6-Soldering_Link-2_DSC_0053

    Link 2.

    Soldering Link 3

    Link 3. (Click to zoom.)

    Steel food can used for quenching freshly soldered items.

    Quench (use steel tweezers to drop into a container of cool water).

  7. If the paper begins to burn or smoke before your solder flows – Stop! Let everything cool off (use steel tweezers to pick it all up and drop it into a pot of cool water for a few seconds), get a new piece of paper, re-wet it, and try again.  Blackening paper is a sign that your bead is about to get too hot. Shattered hot beads are no fun (you are wearing eye protection, right?). If you’re careful, you can use this method to solder links with most materials: glass, ceramic, precious metal, gemstone and even pearl beads!
  8. When you’re done with a link, or a few links, quench: Using steel tweezers, pick up the hot links and drop them into cool water for a few seconds.
  9. You might prefer to solder your links off the edge of the soldering block. I stacked my magnesia soldering block on top of my ceramic fire block to provide a bit more distance between my flame and the baking-sheet-covered tabletop, and found that small links heated faster and more evenly. This placement made it easier to solder jump rings when attaching a clasp.
    Soldering a beaded link at the edge of the block.

    Soldering a beaded link at the edge of the block.

    Soldering the clasp at the edge of the solder block

    Soldering the clasp at the edge of the solder block.

  10. I would give you some tips on making your own copper toggle clasps … but based on my first two (which are NOT shown here) … I’d better recommend these solid-copper toggle clasps instead.
  11. When using a toggle clasp, keep in mind that the bar end needs a few small links between it and the rest of your bracelet, to make sure you can get the bar into (and back out of) the loop portion of the toggle. Use pre-made solid coper jump rings, or make your own of any size. Test to make sure you can open and close the toggle BEFORE you solder the links shut!
  12. When the design is done, I like to hammer each link with a chasing hammer or small ballpein hammer. 3 reasons: I like the look of hammered copper, it helps disguise my occasional extra-blobby solder join, and it work-hardens the wire — you will notice these links are very soft and bendable after being heated.
    Caution: Copper solder seems a bit more brittle than silver solder (I assume this is due to the phosphorous). So if you attempt to re-shape a solder join when hammering, you are likely to break the piece right at the join. Don’t worry — just re-solder it! Odds are, you won’t even need to add more solder. Just line it up nicely, wrap any beads with wet paper towel, position the broken join near you on the block, pull all the other parts as far to the back as possible, and re-heat the wire on both sides of the join. Wave the flame back and forth on the wire until the solder flows smoothly where you want it.

    Hammering a link on a steel block

    Using a chasing hammer to texture a soldered copper link on a steel block

  13. To clean the finished design, drop it in a pickle pot for a few minutes, or tumble it with steel shot and a few drops of ShineBrite for 2-3 hours.
    Note: Not all beads can tolerate tumbling or pickling, but most can tolerate both! If in doubt, test a single bead for the full amount of time before soldering a whole strand.

    The earring on the left is ready to be tumbled. The earring on the right has been tumbled for about 2 hours. It still has a few black spots and could use a little more time in the tumbler.

    The earring on the left is ready to toss in. The earring on the right has been tumbled for about 2 hours; it still has a few black spots and could use another hour in the tumbler. (Click to zoom.)

For basic information about copper solder, refer to previous Blog Post: I Love Copper Solder!

Both of these copper bracelets were tumble polished for about 2.5 hours:

Soldered Copper bracelet with aventurine beads

Finished bracelet made of 6mm large-hole aventurine beads and 18-gauge copper wire.

Bracelet - Soldered Copper Links with Fancy Jasper Beads

Finished bracelet made of 8mm large-hole Fancy Jasper and 16-gauge copper wire. All links soldered with copper solder.

Tips for efficiently cutting wire with straight ends:

For an absolutely perfect cut, use a jewelers saw (do a quick search for tutorials on making your own jump rings).  At the moment, I don’t have a good space for sawing, so here’s how to get good joins using flush cutters:

  1. Use a good pair of flush cutters, like these Lindstrom or Xuron flush cutters, and pay attention to the angle — hold the blades perpendicular (90 degrees) to the end of the wire.
    Flush cutters - front/outside

    This side of the pliers cuts a nice straight (flush) cut.

    Flush cutters - other side

    The opposite side (or “inside”) of the flush cutters leaves a bit of “v” shape on the end of the wire.

  2. Do a few practice cuts. Notice that the outside of your cutters gives you a nice straight (flush) cut, and the piece of wire that was on the inside of the cutter blades has a “v” shape. If both sides of the cut have a “v” shape (see below), then they aren’t the right type of cutters, and it’s time to invest in a good new set.

    Good and bad flush cuts

    The top wire is poorly cut.
    The bottom wire has flat (flush) ends.

  3. To cut matching links, trim off the “v” portion, then for the 2nd cut, position your cutters at the other end of the coil (or flat piece of wire, if you haven’t coiled it yet), so both ends of this new piece of wire will be flush (flat). This gives you a “v” on the spool end again, so keep repeating this process for perfectly matching links.
  4. If you forget, and the end of your new link receives a “v”, simply snip the “v” off and you now have a slightly shorter link — this is probably fine for a bracelet or necklace (or a design made of random-size links), but not so good for matching earrings.

Questions? I’m happy to answer them! ~Polly

 

I Love Copper Solder!

Wednesday, February 20th, 2013

I recently got a chance to play with copper solder, and I LOVE it! This awesome copper solder is 7% phosporous (and 93% copper), which makes it self-fluxing. It flows and melts around the same temperature as hard-grade silver solder, so you can easily solder links, small bezels, and other basic joins with a butane micro torch.

16-gauge copper wire link with 18-gauge copper solder.

16-gauge copper wire link with 18-gauge copper solder.

Why do I love copper solder?

#1:  It’s easy!

Jewelers have traditionally used silver solder to solder copper, but when using silver on copper, you have to be very careful so the silver seam doesn’t show. Since the copper solder is 93% copper (making it copper colored, even after you solder with it), I can enjoy the freedom of having my small mistakes invisible to the untrained eye. And it’s nice that the 7% phosphorous portion makes it self-fluxing, so I don’t have to use flux.

#2: It’s inexpensive.

Copper solder is about 1/10 the price of silver solder:  silver solder is around $40 per ounce, but you can get 4 entire ounces of copper solder for around $14. I can experiment and practice all day and it only costs me a few dollars worth of materials. I can make affordable copper jewelry, and/or I can decide to upgrade to sterling silver, after practicing new techniques with copper.

#3: I have everything I need.

I finally bought my own torch last year, but haven’t used it a lot yet. I got the Blazer torch kit, so I’d have everything I need — 2 types of tweezers, a solder pick, and a few different soldering surfaces.

Butane micro torch kit

Blazer micro torch kit.

How do you use copper solder?

If you already know how to solder sterling or fine silver, then you already know how to solder copper. If you have no soldering experience, or have only used “soft” solder before, then copper solder is an EXCELLENT material to begin with.

So, where do you begin?  At the very minimum, you need:

  1. Raw (bare, unplated) copper
  2. Copper solder
  3. A torch that gets hot enough for the job (all of Rings & Things’ micro torches work fine for this — but a soldering iron does not get hot enough)
  4. A firing surface — I use a magnesia soldering block on top of a ceramic fire block on top of an old cookie sheet.
  5. Something to grab melty-hot metal items. Check out the tweezers listed & linked in this kit.

Generally, you’ll drop your freshly-soldered item in a pickle pot or a metal can full of cool water. And there are safety considerations … you don’t really want to catch your clothing or kitchen/craft table on fire, or breathe or splash unknown chemicals, so if you’re completely new to soldering, pick up a book like Simple Soldering, by Kate Ferrant Richbourg, or Soldering Made Simple, by Joe Silvera.

Here is my project:  Simple soldered links, for a bracelet or necklace.

2 links soldered, the next 3 ready to go.

2 links soldered, the next 3 ready to go.

3rd link being soldered

3rd link being soldered.

To make my loops, I used ring-bending pliers and the large side of Wubbers bail-making pliers to shape some quick links out of 16-gauge raw copper wire, and hammered them a bit on my metal block. Then I cut the ends nice and straight with flush cutters (You know solder doesn’t fill gaps, right? So your spots to be joined need to line up very cleanly … or your solder join is doomed or ugly), laid out a few links, and started soldering.

I soldered the quick way — torch in one hand, and spool of solder in the other hand. Heat up a link, then touch the solder to the joint, and fwoosh, it flowed. Sometimes a little too well, so my solder spots are a little globbier than they technically should be. So now I’m actually reading my copy of Kate Ferrant Richbourg’s Simple Soldering rather than just just flipping through and looking at the diagrams. Soon, I hope to pop in the DVD (included with the Simple Soldering book)!
The tips and techniques in Simple Soldering are all about silver soldering, but apply just as well to copper soldering.

One last tip based on questions I received at last weekend’s Bead Show: Do you know which part of the flame is hottest? You might think it is inside the brightest blue part of the flame, but it actually the darker space just past the tip of that bright blue inner cone.

Coming soon…. (now finished)
Next blog, I’ll share a technique to add beads (even fragile beads!) directly to links before soldering them!

~~Polly