Archive for the ‘Tutorials’ Category

How to Create a Reliquary Pendant

Monday, May 20th, 2013
Create a personal keepsake with this free DIY reliquary pendant tutorial.

Create a personal keepsake with this free DIY shrine pendant tutorial.

I love keepsake jewelry, and this reliquary necklace is perfect for capturing mementos.  You can adapt this pendant design to make your own personalized jewelry; encase a family photo, dried flower petals from a special event, or perhaps a lock of baby hair.

The following is a DIY tutorial for making a glass bezel shrine necklace.

 

Jewelry findings for this necklace include rectangle glass bezel, brass blank, small honeybee charm, rhinestone chain, triangle filigree, and antiqued-brass ball chain from www.rings-things.com

Step 1: Gather the necklace components

Here are the parts you’ll need:

 

Use metal shears to cut the brass jewelry blank to size.

Step 2: Cut and shape the brass blank

Measure and cut a brass blank 1 x 1-3/4″ in size; metal shears work great for this.  File the blank to soften the corners.

 

Mark the brass blank for hole placement and use a metal punch to punch the holes.

Step 3: Mark and punch holes

Measure and mark the following holes:

  • Three hanging holes placed 1/8″ from the top and spaced to match the holes of the triangle filigree
  • Two wire-lashing holes placed 1/8″ from each side and 5/8″ from the top

Punch holes in the marked positions with the two-hole punch.

 

Use Novacan Black Patina to antique the brass blank of the shrine pendant.

Step 4: Patina the brass blank

Clean the blank with a micro-fine polishing pad.  Use a cotton swab to apply patina to the blank.  Polish with the polishing pad to a desirable finish.

 

Add a paper image to the brass blank to make a colorful background for the reliquary pendant.

Step 5: Add an image

Center the glass bezel on your patterned paper and use a pencil to mark the position.  With craft scissors, cut out the paper just smaller than the bezel’s exterior edge.

 

Glue the paper image in place and allow to dry.  Gather small personal charms to encase in your reliquary.  Use glue to hold small bits in place, then glue down the glass bezel.

Step 6: Adorn and encase

Glue the patterned paper to the brass blank.  Glue on the bee charm (first remove the loop if desired) and rhinestone, checking the position with the glass bezel.  Glue on the glass bezel.  Allow to dry.

 

Lash the glass bezel in place with wire and use jump rings to connect the triangle filigree to the reliquary.

Step 7: Make cold connections

Lash the bezel in place with wire; this is both an adornment and cold-connection reinforcement.  Attach the triangle filigree to the pendant blank with jump rings.

 

Antiqued-brass ball chain is the perfect finish for metal-worked jewelry.  Attach the chain with a jump-ring bail.

Step 8: Finish the necklace

Add a large jump ring to the triangle filigree top.  String large ball chain through the jump ring and finish with a clasp.

»For a complete list of tools and supplies used to make the “Bee Keeper” Reliquary Necklace, visit Rings & Things Design Gallery.

Enjoy!

♥~Mollie

Quick and Easy 1-Step Looper Tutorial

Friday, May 10th, 2013

I love jewelry with lots of sparkly adornment, but making simple jewelry loops can be tricky.  Creating matching loops with the perfect shape requires skill and time.  It’s little wonder the “1-Step Looper” is so popular — this magical tool makes consistent loops in one quick and easy step.  In fact, the process is so quick, you might miss it if you blink.

Here are visual micro steps so you can see exactly how the looping pliers work.

The 1-Step Looper jewelry making pliers for making simple looped beaded dangles.

The 1-Step Looper works with head pins, eye pins and wire sized from 26 to 18 gauge, in both precious-metal and plated finishes.

 

To use the 1-Step Looper start by inserting a beaded head pin in the pliers' jaw.

Place a bead onto a head pin, slide the head pin into the pliers, and insert the excess wire through the hole in the pliers upper jaw.

 

Squeezing the handles of the 1-Step Looper jewelry pliers will cut and shape the wire end.

Gently squeeze the pliers to trim and shape the wire.

 

Continue squeezing the 1-Step Loopers' handles to form a perfect loop on your crystal charm.

Continue squeezing the pliers’ handles to form a perfect loop.

 

Use your index finger to create a slight bend in the wire between the crystal and the loop.

Before releasing the handles, gently press the wire downward to form a slight bend below the loop.

 

After forming the perfect beaded dangle with the looping pliers, release the handles to release the beaded charm.

Release the handles to release the beaded charm.

It takes just minutes to make dozens of crystal dangles with the 1-Step Looper pliers.

The 1-Step Looper is not only quick and easy to use, but it’s fun to use! It takes just minutes to make dozens of beaded charms (or links).

 

Embossed Vintaj Brass pendant  with weather copper patina finish and sparkling Swarovski crystal dangles.

With the 1-Step Looper, all your handmade jewelry can sparkle!

 

Make things!

♥ Mollie

 

 

 

How to Solder Glass Pendants

Thursday, April 18th, 2013

Our original tutorial on “How to solder jewelry with Simply Swank Tools” has been very popular.  Unfortunately, we no longer are able to supply several of the supplies mentioned in the original post.  I have attempted, here, to provide information on currently available products, and to answer some questions.

Pink is for Girls necklace

Pink is for Girls necklace

About Soldering

Solder is a confusing topic. There are two completely different soldering methods used in jewelry making, yet people rarely explain which type they’re talking about – much the way people say they spent the weekend simply “at the lake.” (If they are your friends, you do know which lake … and hopefully this post will help you make friends with solder!)

Solder is a metal alloy that is melted to connect or coat metal pieces.  Soldering is the act of melting and applying solder.

The two soldering methods are:

  1. Soldering with a torch. Often called hard soldering, brazing or silver soldering, although copper, brass, gold and other metals can be torch soldered.  There are different grades of hard solder (which melt at different temperatures, and just to confuse things further, are called easy/soft, medium and hard).   There are also different solder formulas to match the color of various metals.  This post talks about copper wire solder, which is meant for torch soldering.
  2. Soldering with a soldering iron. This is often referred to as soft soldering, and is used with base metals (like pewter) and plated metals.  This is actually ‘tinning”, which means adding a layer of solder to a metal base.  The solder is made mostly of tin and has a (relatively) low melting temperature.  Soft solder is pewter or silver colored.  Never use a soldering iron with precious metal jewelry: it will ruin the jewelry.

Therefore, if jewelry is made of silver or gold, it has to be torch soldered. Successful soldering requires heating the metal pieces, not just melting the solder, so if the piece is very large or thick, it’s probably torch soldered as well.

 

Poppy Field Necklace

Mollie’s Poppy Field soldered pendant necklace uses two #41-254-1 fold over crimp ends instead of jump rings

 

First off, not all soldering irons are created equal. There are many varieties on the market and most were not designed for jewelry making. The two most important things to look for are tip style and wattage. We recommend a minimum of 60-watt soldering iron with a chisel-tip.  The pointy tip irons are designed for tiny electronics like circuit boards and are of little use for jewelry, other than sealing jump rings.  Lower than 60 watts might not heat up enough.  The 60w Hakko soldering iron meets both requirements! The 100 watt Choice Iron and Rheostat combination provides greater control over temperature.

 

pointy versus chisel tip soldering iron

Soldering iron tip comparison

 

The iron on the left has a pointy tip (not recommended).  The iron on the right has the recommended chisel tip, but needs to be cleaned!  Soldering is difficult when the tip is black and crusty.  Try using the wet sponge to clean the heated iron.  If you can’t clean it any other way, let the iron cool and then gently sand off the gunk.

Next, the solder itself.  It is important to use lead-free solid-core solder.  Avoid solders that have rosin or acid cores. Rings & Things sells Choice, SILVERGLEEM, and Staybrite silver solder.  All 3 work great with soldering irons; Staybrite is more expensive because of its higher silver content and included flux.

Third, flux.  All solder requires flux in order to melt and flow.  LA-CO Brite flux is a 6oz package, and is designed to be dripped or brushed onto your project.

Here is a condensed version of the process:

Preparing to Solder a Glass Pendant

Prepare your work area.  Remove extraneous (burnable or meltable) items from the immediate area.  I like to use a cookie sheet with a Non-Stick Craft Sheet on top.  The craft sheet allows for easy clean-up of the drips and spills of solder that will inevitably occur.

Taping the edges

Taping the edges

 

Copper tape creates the metal base needed for the solder to flow onto.

Sandwich images between 2 pieces of glass and wrap edges with copper foil tape, peeling off the tape as you go.  If you plan to add a bail or jump ring, overlap the ends of the foil tape where you are adding the hardware.   Fold the tape over from the edges to the front and back of the glass, being careful of the corners (think of it like wrapping a gift).  Burnish smooth (a sharpie pen works well for burnishing).  Clean with alcohol to remove any oils from your fingers – a clean surface is the best soldering surface!

Shaping the solder coil into a snake makes it easier to feed onto your soldering iron.

Solder and Stand

Solder “snaked” for ease of application, Stand ready for use.

Prepare the Soldering Iron stand by adding a few tablespoons of water to the sponge in the reservoir.

retinning the tip

Retinning the tip

If this is your first time using the iron, you will want to “tin” the tip the first time you heat it up and always maintain that layer of solder across the tip.  By tinning the tip, you prevent the iron coating from oxidizing, which is a real problem when you have hot iron tips. Oxidation can corrode your tips forcing you to replace them more often, and the hotter your iron the faster they will oxidize. Tip tinning creates a layer of solder between the air and the iron, keeping oxygen at bay.

Plug in the soldering iron and allow it to heat up for a couple minutes.  Touch the tip to the damp sponge.  The iron is hot enough if the sponge steams a bit when you do this.  Holding the solder in one hand and the iron in the other, briefly touch the solder to both sides of the tip.  You may have to “rub” the solder onto the iron to start it flowing.

Now that your tip is properly tinned, you can start soldering.  Try to solder immediately after tinning the tip, the sooner the better.  Tinning improves conductivity and makes soldering easier, as well as quicker, which is a good thing.  Periodically while you are working , (when the solder doesn’t seem to be flowing well), clean off any globs of solder on the sponge and re-tin the tip.  Keeping the tip clean is important but constantly wiping it on a wet sponge will lower the iron temperature, and can cause early tip failure.  Properly cleaned tips are bright and shiny.

Keep the iron in the stand whenever you are not actually soldering with it.  Unplug the iron whenever you are working on another portion of the project for more than a few minutes.  This is not only a good safety measure, but it will also extend the life of your soldering iron.  When you are not using your soldering iron, you should keep a layer of solder on the tip, so before putting your iron in storage, apply a fresh layer of solder to the tip to prevent it from corroding.  If you will not be using your iron for an extended period of time, you may want to store it (after it has fully cooled) in a zipper type bag to protect it further from corrosion and humidity.

 

adding solder to the tape

Adding solder to the tape

 Soldering a Glass Pendant

Apply flux to the copper tape. Touch your hot soldering iron to the solder to pick up a blob, and run the iron over the copper tape.  Repeat.  Repeat.  (Some people melt the solder onto the tip of the iron and transfer it to the piece.  I find I have more control by applying the solder directly from the roll to the tape.)  Often you can pull the solder from the edges of the pieces to the front and back taped portions.   Completely cover the copper tape with solder.  If it looks lumpy, run the iron across the bumps to remelt the solder and smooth it out.  Be sure to clean your soldering iron’s tip frequently.  If the solder isn’t flowing, either the tip is dirty, your piece is dirty, you need more flux or you aren’t heating the piece sufficiently.  Clips, clothespins or a third hand are all helpful tools for holding your piece while protecting your fingers.

This piece is being held in place with binder clips, allowing me to hold the spool of solder in one hand, and the iron in the other.

 

Using pliers to hold the glass  - don't burn your fingers.

Holding the piece steady with pliers.

Here I am holding a piece steady with bent chain nose pliers.  Since flux can damage tools, and you may drip solder onto them, dedicate an inexpensive or already damaged pair for use in soldering.

 

adding the jump ring

Using hemostat to hold the jump ring in place while melting the solder blob with the iron.

Add a blob of solder to the point where you’d like to attach your jump ring.  Apply flux to your jump ring.  Use pliers or a hemostat to hold the jump ring on the blob, and reheat the blob with the iron to secure it in place (watch out:  the blob will melt quickly, and the jump ring will sink into it.  Do not maintain the heat on the blob or the jump ring, or it will all melt together into a mess).  Clean off any extra flux with window cleaner or rubbing alcohol, file rough edges, buff with a polishing cloth, and you’re done!

Microscope Slide Pendants

Microscope Slide Pendants

Making soldered pendants is totally addictive. Microscope slide glass is an affordable way to indulge your pendant-making habit.

Piddix collage sheets are available in several sizes and shapes.  The 7/8″ squares work nicely with the 1″ square memory glass.

Soldering Kit

R&T Exclusive Glass Soldering Kit

The Rings & Things Exclusive Glass Soldering Kit provides all the basics for you to start out with a new skill.  Just provide your own scissors, water, and work surface, and you are ready to go.

So, DIY and make some unique and meaningful collage pendants of your own!

~  Rita

Hint:  If you love the soldered piece, but don’t like the bright and shiny finish, Novocan Patina will darken the solder covered  parts.

Square Peg – DIY Greek Leather Bracelet

Monday, April 1st, 2013

I love this simple, sleek Greek leather bracelet by designer Mollie Valente. And I’m not the only one who appreciates this combination of simplicity and Greek leather — it is the most popular project on our site for the first 3 months of this year!

Greek leather bracelet tutorial

Greek leather bracelet – DIY

10mm SWAROVSKI ELEMENTS crystal heart - Crystal Bronze Shade

crystal heart

Swarovski’s Crystal Bronze Shade (see all 79 shapes!) picks up and reflects the hues nearby, and even changes color depending on the intensity and type of light coming into it — it can look bronze, olive, or even a shimmering gray-blue.

This bracelet features four 7.5″ strands of supple olive-green Greek leather:

Olive green Greek leather

Olive green Greek leather

antiqued silver center-crimp tube with hook

with hook

antiqued silver center-crimp tube with loop

center-crimp tube with loop

Hold the 4 strands of Greek leather together with classic center-crimp tubes. To use center-crimp tubes, select a size slightly larger than your cord — for this bracelet, the 4.5mm inner diameter perfectly holds 4 pieces of round 2mm cord. Add a dab of flexible glue to the ends, and firmly crimp the center section of the tube with round-nose or narrow flat-nose pliers.

Use a hook on one end, and an eye (or loop) on the other end of the bracelet.

Hammered square drum bead

Hammered square drum bead

The square drum beads have a 5mm hole – great for heavy cord and multistrand designs.  They are available in 4 plating colors, and a slightly smaller triangular shape too. A large 8mm round jump ring fits nicely around the bead, so you can hang charms, small pendants or beaded dangles.

Square Peg Greek Leather Bracelet Tutorial

Click image for full tutorial and parts list

Browse our Design Gallery for 100′s more jewelry design ideas and techniques (it’s always free — no login required!).

Questions about this or any other design in our Gallery or catalog?
Comment below, or ask us on Facebook!   ~Polly